Three Part Harmony! - Peter Paul and Mary, Beatles, CS&N, Uncle Walt's Band
Original air date July 23, 2016 | Time 59:00


It's a special talent when three voices blend into one, this was a regular part of the vocabulary of early folk and rock in the early 60's. We hear Peter Paul & Mary from 1966, 1969 amd 2004: "Hurry Sundown", "Leaving on a Jet Plane", "Great Mandella" and "Don't Laugh at Me". The Beatles used three part harmony extensively in their early songs but it slowly disappeared in their work until their final Abbey Road Sessions in 1969; "You Can't Do That", "Yes It Is" and "Because". Crosby Stills and Nash built their sound around three part harmony and from their debut in 1969 we hear "Helplessly Hoping" and "49 Bye-byes". Finally, one of my personal favorites, friends of mine, had Uncle Walt's Band in Austin TX in the early 70's, we hear "Aloha" and "High Hill" from their debut album.
Cloud Cover on Revelations Book II

Revelations Book II
released 1999 on WHICH Records, vinyl re-issue 2011
I AM HERE (Ron English / Kathy Geary)
Kathy Geary - vocals, piano
Don Martin - electric bass
Stephen Henderson - snare drum, congas
Andrew Williams - trombone
Serena Jost - cello
Produced by Kathy Geary & Ron English
recorded at Smash Studios, NYC 1999

HOLY TERROR (Ron English / Kathy Geary)
Kathy Geary vocal, piano
Bob Windbiel guitars
Don Martin bass
Adrian Harpham drums
Chorus: Emilio 'Zef' China, Michael DiRoma, Kathy Geary, Paris Pacchione, Nancy Tepper, Robert Wagner
Produced by Kathy Geary and Ron English
Mixed by Chris Albert
at Mutiny Zoo Studios, Hoboken NJ
Recorded by Richard A. La Salvia
at Smash Studios, NYC
Cloud Cover on Hyperjinx Tricycle

Hyperjinx Tricycle
released 2001 on Softskull
ROAD TO HEAVEN (Ron English / Kathy Geary)
Kathy Geary - vocals, piano
Produced by Kathy Geary & Ron English
recorded at Night Owl Studios, NYC 2001
This is the last piece I worked on with Ron English, after a series of collaborations for three different projects, from English 101, Popaganda and Revelations Book II. Ron wrote the lyrics for this song as a tribute and personal message to his long time friend Daniel Johnston. It mentions some of the icons and images that appear in Daniel's own songs. When I composed this song I was thinking about George Harrison's "Blue Jay Way". The crowd sounds were Ron's idea, he called them the "New Situationist Choir".
Bleecker St. Reality Band "Fourth of July, 1993"
Bleecker St. Reality Band "Fourth of July, 1993"




My friend and business partner David Sokol and I formed a band in the early 1990's named "Bleecker St Reality Band". We both lived in the same building on Bleecker St down in the West Village in NYC and we were partners in Euphoria Studios, a music rehearsal studio that is still running strong to this day. We met our bassist Dan Martin, a gifted singer songwriter with Cuban heritage, and together we placed an ad in the Village Voice looking for a lead guitarist. We found Kevin Giordano and made our first recordings within two weeks of meeting him, after maybe two or three rehearsals we produced "Fourth Of July", which was the actual recording date. Dan Martin's girlfriend Linda Rabiet made a video of the session.
We recorded covers. I had been a huge fan of Dan Hicks and His Hot Licks and we did two of his songs.
Reelin' Down (Dan Hicks)
Caught in the Rain (Dan Hicks)
Soalin'
True Blue Lou (Robin, Coslow, Whiting)
Pure Love (Dan Martin)
- Bleecker St. Reality Band "Showcase at Euphoria"
- The Barber of Seville - Berta's Aria
- Recital March 2015 - Ned Rorem "For Poulenc"
- "Lady of the Harbor" by Lee Hoiby
- Bleecker St. Reality Band "UNREAL" - Debut Album
- Bleecker St Reality Band - Live at the Bitter End
- Bleecker St Reality Band - Live at the Bitter End continued
- Harry Nilsson and the Beatles
- "Gia nella notte densa" Act I Duet, Otello by Verdi
- "Immer leiser wird mein Schlummer", J. Brahms
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